Archive for the ‘Performance’ Category

Collective Movement at The Southbank Centre

Monday, May 7th, 2012

Friday May 4th

Four emerging dance artists and a video artist, took part in a sharing of their work in progress at the Southbank Centre last Friday evening to an invited audience. Together they form The Collective Movement, the Southbank Centre’s resident emerging dance artists in their Spring Residency. Following the performance there was a discussion and reflection concerning the work, all comments were wholly positive.

Southbank, Collective Movement Else Tunemyr and Hrafnildur Benedikstdottir danced, turned, rolled, spun, naked in water which they had spat, dribbled and poured over the studio floor. Reminiscent of french artist Yves Klein’s Anthropometry performance art paintings in 1960, when Klein dragged naked women covered in blue paint across canvas using the female models as human brushes. Friday’s performance was directed and performed by women so had none of the uncomfortable undertones of dominant male directing the woman as “living brushes”. Nathalia Mello joined the action via skype.

Southbank, Collective Movement

Irene Cena held still positions juxtaposed with flowing transitions as she propelled herself along a wall

Southbank, Collective Movement

Dancer Irina Baldini interacted with the image of her walking projected on the wall, filmed by video artist Giorgia Sciannameo 

Irina modeled for me last year when I was commissioned to make figurative wire sculpture for an office waiting area.

Polyphonia, Sweet Violets, Carbon Life

Saturday, April 14th, 2012

Tuesday 10th April 2012

The Royal Ballet are performing a triple bill at The Royal Opera House until April 23rd. Polyphonia choreographed by Christopher WheeldonLiam Scarlett’s Sweet Violets and Carbon Life choreographed by Wayne McGregor.

Polyphonia (2001) to music by Gyorgy Ligetti opens the evening. I loved the clean abstract lines created in the dance. I drew in pencil in small sketch books, in the dark.

Polyphonia. copyright Sally McKay PolyphoniaPolyphonia Polyphonia, choreographer Christopher Wheeldon

In a total contrast the ballet that follows, Sweet Violets, is a narrative ballet exploring the British Impressionist painter Walter Sickert’s macarbe fascination with and possible link to Jack the Ripper, set to Rachmaninoff’s music of piano, violin and cello, played live and beautiful. Sweet Violets is confusing to say the least but interesting to draw.

Sweet Violets Sweet Violets

Sweet Violets 

Sickert founded the Camden Town Group of artists, his paintings were painted in a dark palette, sometimes quite seedy and often haunting. He used prostitutes as models which upset the public, apparently he wanted the nudes he painted to look ‘ordinary’ not in idealised poses. Some beautiful drawings by the Camden Town Group are on show at Tate Britain until May 7th.

Finally, Carbon Life by Wayne McGregor is a huge treat. Wonderful lighting by Lucy Carter, a band playing live at the back of the stage are joined by singers, Boy George, Alison Mosshart, Hero Fisher, Jonathon Pierce and rapper Black Cobain. Fashion designer Gareth Pugh has designed mad and gorgeous monochrome costumes, some of which restrict the dancing, as in Bauhaus. The dancing is fabulous, everything feels extreme, hyperextended arched backs, very high legs, almost impossible twists and turns, I smile from start to finish and love drawing this ballet – it’s so dark I can’t see the paper, I have no idea what I’ve drawn until I’m in the train home and take a look in my sketch book.

Carbon Life Carbon Life

above left: Rapper, Black Cobain joins the dancers

Carbon Life below: fabulous costumes by Gareth Pugh

Carbon Life Carbon Life

I’d like to take some of these drawings further, though I’m not sure which direction, certainly to sugar lift or soft-ground etchings, possibly a painting in oil on canvas. My ideal would be to make a full size wire sculpture showing the extraordinary moves and crazy gorgeous costumes in Carbon Life, unlikely as for the sculpture I only work to commission.

News: Olivier Awards Nominations

Friday, March 16th, 2012

Congratulations to choreographer Arthur Pita for his Olivier Award nomination for the Best New Dance Production for The Metamorphosis.

Metamorphosis. Edward Watson

Edward Watson as Gregor in The Metamorphosis 

Also to dancer Edward Watson for being nominated for his performance in The Metamorphosis for Outstanding Achievement Award. I was fortunate to draw The Metamorphosis during the rehearsals at the Linbury Studio at the Royal Opera House. It is an extraordinary and beautiful show choreographed by Arthur Pita, and Edward Watson is an extraordinary and beautiful dancer.

Another fantastic dancer is Hip Hop dancer, Tommy Franzen, who I recently drew in rehearsals of Russell Maliphant’s The Rodin Project (and am in the middle of a painting of him dancing in The Rodin Project) he has been nominated in both categories: Outstanding Achievement for his performance in ZooNation’s Some Like It Hip Hop and for his part in the choreography of Some Like it Hip Hop he has been nominated for Best New Dance Production.

Tommy Franzen in Rodin Project

 Tommy Franzen rehearsing The Rodin Project

The Olivier Awards Ceremony takes place at the Royal Opera House on Sunday 15 April 2012, hosted by Michael Ball and Imelda Staunton, live coverage by BBC’s Red Button service on TV, Radio 2 and online.

Shobana Jeyasingh Dance. Classic Cut

Thursday, March 15th, 2012

13th March

Shobana Jeyasingh Dance at the Linbury Studio Theatre, Covent Garden, performed Classic Cut, a double bill of Configurations and new work Dev Kahan Hai/Where Is Dev? This is the first project of their three year 25th anniversary celebration programme.

Configurations was choreographed by Shobana Jeyasingh in 1988 to music commissioned from Michael Nyman, String Quartet No. 2. Played live on stage at the Linbury adding to the visual and acoustic feast.

Shobana Jeyasingh. Configurations

Shobana Jeyasingh. Configurations

Configurations 

Shobana Jeyasingh says of Configurations, “It is a dance work that has shifted and changed, reflecting my own work as a choreographer.”

Shobana Jeyasingh. Dev Kahan Hai?/Where is Dev?

Dev Kahan Hai//Where Is Dev?

The web site says Shobana Jeyasingh’s vision for the company “is rooted in a vision of a Britain that is culturally coherent in new and unexpected ways…We see connections where others only see differences and we seek to make these connections through choreographic practice.”

The evening is a wonderful, exhilarating fusion of classical Asian dance – Bharata Natyam and contemporary dance, very fast, very sharp, very now and to me feels very London.

In May I am looking forward to joining the company to draw the dancers during rehearsal, keep an eye on my blog I will post some of the drawings on as I go. I hope to use the drawings to inform a painting and etchings which I will show in my solo exhibition in September.

Open Studio: Thursday May 17th 5pm – 9pm. Saturday 19th May 11am – 6pm. Sunday 20th May 11am – 6pm. Studio 17, Unit 0, Second Floor Studios, Mellish Industrial Estate, Warspite Road, London SE18 5NR

Solo exhibition September 13th – 23rd, part of ‘On Sublimity and Synaesthesia‘ exhibiting in conjunction with freelance writer Dr Stephen Baycroft. No Format Gallery, Second Floor Studios, Mellish Industrial Estate, Warspite Road, London SE18 5NR

More details on the exhibitions will follow soon

Contact sallymckay@btinternet.co.uk for more information on exhibitions and sales

Ballet Black at The Linbury

Friday, March 9th, 2012

6 March

Ballet Black danced four new ballets at The Linbury, Covent Garden. Here are a few small drawings I made of two of the dances.

Together Alone. Ballet Black.copyright Sally McKay

Together Alone choreographer, Jonathon Watkins. Music Alex Baranowski

Storyville. Ballet Black. copyright Sally McKay

Storyville. Ballet Black. copyright Sally McKay

Storyville Left and above: Storyville, choreographer Christopher Hampson, music Kurt Weill

Also danced but not drawn: Running Silent, choreographer Jonathon Goddart and Captured with choreography by Martin Lawrence.

Richard Alston Dance Company

Friday, March 9th, 2012

29th February

Richard Alston Dance Company performed 3 works at Sadler’s Wells 29th February and 1st March. Richard Alston Dance Company is part of The Place, also the home of a fabulous dance Theatre and London Contemporary Dance School.

I drew the Richard Alston Dance Company when they performed in the Saatchi Gallery last year.

Roughcut

Roughcut choreographed by Richard Alston, music by Steve Reich

Lie of The Land. Richard Alston

Lie of The Land choreographed by Martin Lawrence, responding to Ned Rorem’s String Quartet No. 4

A Ceremony of Carols. Richard Alston

A Ceremony of Carols, choreography Richard Alston, Music Benjamin Britten, sung by Canterbury Cathedral Choir

Three dances all entirely different. New company dancer, James Pett, modelled for a life size sculpture commission I had early last year, wonderful to watch him dancing in Sadler’s Wells in the Richard Alston Company. Alston says of Roughcut “a dance about vitality” which is exactly how it feels to watch it. I felt very tired, almost didn’t get to the theatre, only down to my sensible lovely daughter telling me to go and that I would feel better to draw dance and watch. So right – by the end of Roughcut I was smiling and energized.

Even more so in Martin Lawrence’s work Lie of the Land, fabulous.

The final dance A Ceremony of Carols, accompanied by by Canterbury Cathedral Choristers with their angelic treble voices and Camilla Pay on the harp felt mystical and powerful.

ENO presents The Death of Klinghoffer

Friday, March 2nd, 2012

28th February

On the 10th February I spent a wonderful day at 3 Mills Studios drawing an ENO rehearsal for The Death of Klinghoffer. On the 28th February I watched the performance at The London Coliseum. These are a few small drawings I made from my seat high up in the balcony.

The Death of Klinghoffer

The Death of Klinghoffer

The Death of Klinghoffer

The Death of Klinghoffer  During the rehearsal I concentrated on drawing the dancers, choreographed by Arthur Pita and drawing conductor Baldur Brönnimann. At the performance the conductor was out of my view and the dancers felt distanced. I loved the long shadows cast across the stage giving a sense of heat and sunlight. This week I start an oil painting inspired by my drawings.

Diving World Cup

Wednesday, February 29th, 2012

Tuesday 21st February

I was deeply disappointed not to get tickets for any of the Olympic events. I told my 3 (teenage) kids they could each chose 1 sport to apply for tickets to, my theory was out 4 events we should manage to get tickets to one race, but no, not a thing. We live in Greenwich on the doorstep to the events, but unable to participate as audience. However, all was not lost, I managed to get tickets for us to see the Fina Visa Diving World Cup. Fabulous… in the new Olympic Aquatics Centre in Stratford we were able to watch the Women’s 10m Platform Diving and I took my sketch book.

Dive 1. London Prepares  Dive 2. London Prepares

Warm up off the spring boards 

Olympic Pool  Dive 3. London Prepares

10m diving platform                          GB Monique Gladding diving

All the diving was amazing. Chen Ruolin of China won with 405.25.

Swimming is important in my family, both as a sport and the activity that melds us together when everything feels muddled and wrong. When the kids return from being away, I know that one of them will say ‘lets go swimming’ and as we swim the world starts to feel right again, for all of us. They are much faster than me, the younger 2 swim competitively in our local swimming club, my 15 year old is so fast, sometimes people stop swimming and stare, swimming well and swimming fast is very beautiful.

These are just a few of the small sketches of the diving that evening, I will use them to inform a painting to be shown in my forthcoming exhibitions.

Siobhan Davies Dance at Turner Contemporary

Wednesday, February 29th, 2012

If an uplifting exhibition of Turner’s paintings, the most famous erotic life size sculpture, or beautiful typographic and photographic imagery by Hamish Fulton isn’t enough to lure you to the Turner Contemporary in Margate maybe this will.

Siobhan Davies Dance will perform Rotor at Turner Contemporary 30 March – 1st April. ‘Rotor is an ensemble of performances, sound, installations and artworks created by 9 artists from different backgrounds in response to Davies’ filmed choreography “The Score”.

             Rotor. Siobhan Davies Dance  Rotor was first presented at Siobhan Davies Studios in November 2010 where I drew the performance. In 2006 I drew during rehearsals of In Plain Clothes, in 2007 for Two Quartets and The Collection at Victoria Miro Gallery in 2009.

Russell Maliphant Company. The Rodin Project

Wednesday, February 15th, 2012

5th February.

Russell Maliphant Company at Sadler’s Wells. Part of British Dance Edition

Full house for the performance of The Rodin Project at Sadler’s Wells. Always feels a treat to be part of an audience and see the dancers who I’ve been with during rehearsals perform.

The Rodin Project performance

The Rodin Project performance  The Rodin Project performance

The Rodin Project performance

Just gorgeous.

The Rodin Project premiered in Paris at Theatre National de Chaillot on 31st January. Russell Maliphant Company perform The Rodin Project at Huddersfield 27th February and Nottingham 6th March.

See my blog posts of rehearsal drawings: Russell Maliphant Company. Rearsals November 14th; Russell Maliphant Company. The Rodin Project January 13th;   Russell Maliphant Rehearse at Lilian Baylis January 25th