Archive for the ‘Performance’ Category

Square Dances. The Performance

Wednesday, October 12th, 2011

9th October

Square Dances: 4 London Squares, over 200 dancers, bells, and a mobile audience.

Square Dances. Performance, Men.The Men in Brunswick Square

50 men in tones of blues and browns, slowly walk towards a large chestnut tree. A huge church bell is struck, very slowly the men move, raising their heads and arms like plants searching out the sun, the bell chimes again, and as if the earth is magnetically pulling them they are being drawn down to the ground. The vibrations of the bell hum through the air and ground. There is a reverence, the audience circling the tree are silent and still, we are as if one with the men, all caught between the vibrations of the bell, the silence of the square and the pull of the earth.

Square Dances. Performance, students.The Dance Students in Queen Square

The dancers each carrying a desk bell, stand close to the benches where the audience sit surrounding the small square. Before commencing they quietly ask if there is a person we would like to dedicate the dance to, the name is written on the dancers arm, by the second day their arms are covered in names. They ring the bells and each dances a unique solo moving from ground to air, returning to the ground to ring the bell at the close of the dance. They move towards other benches to dance, again dedicated to another, again making a gift of their dance. The square is full of echoes and memories.

Square Dances. Performance, Women.The Women in Gordon Square

Gordon Square is the biggest square, with the largest group of performers. The women arrive dressed in shades of blue all with hand bells, as they move across the square they stop and listen, their heads on one side or their faces turned to sky. Stamping feet in an unsettled animal way, raising arms, turning, as if movement made by one group is felt through the earth by others across the square, stimulating movement.

Square Dances. Performance, WomenThe Children in Woburn Square

This was the last dance I watched, the children held small hand bells, which they rung as they scampered, they moved faster than the grown ups, it was great to end with such liveliness. As they left the square we could hear them ringing the bells and laughing as went down the street. As I looked around the audience, some having watched all 4 performances some having just chanced across this one, everyone was smiling.

La La La Human Steps. New Work

Thursday, October 6th, 2011

La La La Human Steps are a Montreal based contemporary dance company founded in 1980 by Edourd LockNew Work performed at Sadler’s Wells 28/9 – 1/11 brings together 2 tragic love affairs from operas: Purcell’s Dido and Aeneas and Gluck’s Orpheus and Euridice, but the score is changed dramatically by composer Gavin Bryars for piano, viola, cello and saxophone it is played live on stage adding to the passion and energy in the intense choreography.

 La La La Human Steps. New Work. Sally McKay

La La La Human Steps. New Work

My drawings of La La La Human Steps performing “New Work” at Sadler’s Wells

The classically trained dancers move en pointe with incredible, take-your-breath-away speed and precision. The choreography catapults through anger, frustration, tenderness and passion. Two pools of bright light on the floor create restricted space to move in and sharpen the angular body frames of the female dancers dressed in black leotards and footless tights, throwing dramatic shadows of the male dancers in suits and heightening the atmosphere, contributing to the black and white filmic quality.

Above: Two of pages from my sketch book of drawings of La La La Human Steps, drawn during the performance. Print Studio at Second Floor Studios, Woolwich, London SE18 5NR, opens in November. Expect to see La La La Human Steps etchings soon after.

Metamorphosis Performance at The Linbury

Wednesday, September 21st, 2011

20th September.

Arthur Pita‘s extraordinary, beautiful and very moving dance based on Kafka’s Metamorphosis is performed at The Linbury this week, ends Saturday

Metamorphosis 11 

Ed Watson dances the insect in Arthur Pita’s Metamorphosis 

Metamorphosis 10 Metamorphosis 9

Laura Day, Nina Goldman, Anton Skrzypiciel, Bettina Carpi, Joe Walkling, Greig Cooke  

Metamorphosis 8

All drawn during the performance in the dark, to see rehearsal drawings drawn in day light, scroll down to 7th and 9th September.

All my work is for sale, if you would like to view these and much more, including paintings, etchings and life-size wire sculpture, all related to dance come to my Open Studio exhibition on November 17th 5.00-9.00 pm, 19th and 20th 11.00-6.00 pm. Or please leave a comment below and I will contact you.

 

Richard Alston @ the Saatchi Gallery

Monday, September 12th, 2011

On September 7th at the Saatchi Gallery, the Richard Alston Dance Company performed in a response to the work in the current exhibition The Shape of Things to come: New Sculpture. I was there with my sketch book to draw.

Talented dancer James Pett, who modeled for the last life size wire sculpture I made, was dancing, which was an unexpected treat.

Richard Alston Co. DoubleworkDoublework, Gallery 10

Artist Sterling Ruby. Monument Stalagmite/Headbanger. 2008

Hard of Hearing

Hard of Hearing, Gallery 5

Artist John Baldessari.Beethoven’s Trumpet (with Ear) Opus 133. 2007

Light Flooding

Light Flooding, Gallery 12

Artist Anselm Reyle. Untitled. 2006

Isle of Joy

Isle of Joy, Gallery 7

Artist Folkert de Jong. Shooting Lesson. 2007

 Roughcut

Roughcut    Roughcut, Gallery 3

 Artist Dirk Skreber. Untitled (Crash 1), Untitled (Crash 2). 2009

 

Arthur Pita at The Linbury. The Metamorphosis

Wednesday, September 7th, 2011

I am drawing during the rehearsals of Arthur Pita‘s exquisite new dance work commissioned by ROH2. The dance is based on Franz Kafka’s novella The Metamorphosis. Travelling salesman, Gregor Samsa, wakes one morning in his parents’ house to discover he has been transformed into a giant insect.

A few early drawings…

Metamorphosis 14

Metamorphosis, Edward Watson Metamorphosis 15Royal Ballet Principal Dancer, Edward Watson as Gregor

Metamorphosis, Anton Skrzypicie Gregor’s Father, Anton Skrzypiciel 

Metamorphosis, Laura Day Metamorphosis

his sister Grete, Laura Day  and Mother, Nina Goldman

Metamorphosis 16

Joe WalklingBettina Carpi and Greig Cooke complete the strong cast of dancers. Innovative music by Frank Moon.

I have previously drawn Bettina Carpi, when she danced with Candoco (see the life size wire sculpture of Bettina: Amazing You) and Greig Cooke in The Featherstonehaughs, Charles Linehan Company and Yorke Dance Project, wonderful to work with them again.

Performances 19 Sept – 24 Sept, at Linbury Theatre in the Royal Opera House.

Carmen. Coliseum, London

Thursday, August 4th, 2011

The following drawings are of the English National Ballet rehearsing and performing Roland Petit’s Carmen at The Coliseum, London. Carmen. London 1

Morning class 

Carmen. Coliseum, London       Carmen performance. Coliseum, London  

Rehearsal                         Performance

Carmen. Coliseum, London

Carmen. Coliseum, London

 

Latitude Festival 2011

Tuesday, July 26th, 2011

Latitude Festival 2011  The National

            The National

Some of my favourite’s at Latitude recorded through my sketch book or camera.

Ed Sheeran  Dionne Bromfield

Ed Sheeran                                                   

Fella Fela

Tom Kitty  Andrew Smith. Moon Dust

Tommi Kitti. A Trip                        Andrew Smith. Moon Dust

Space race letterbox  Space-Race Letterbox  

Anna Calvi Electric Hotel

 Anna Calvi                                        Electric Hotel 

 

Political Mother: The Choreographer’s Cut

Sunday, July 24th, 2011

I’m at Sadler’s Wells for Hofesh Shechter’s Political Mother: The Choreographers Cut. There’s a party atmosphere, half the stalls seats have been removed and the standing area is filling up, the noise is rising, laughter, chat, hugs. I’m in the dress circle looking down, I recognize some dancers who I worked with recently in the audience: “Hey it’s Sally!” I’m reminded of the Hofesh Shechter Company performance at The Roundhouse of In Your Rooms. I was one of the standers, as anyone who knows me will atest to I am pretty damn short. I stood on tip toe, I shuffled around but could only see the raised up musicians. It was Hofesh who said to me “Go upstairs find a seat you, must see to draw”. I did as I was told and from those drawings created a painting. Here is a small selection of the drawings I made during the performance of Political Mother: The Choreographer’s Cut.

Political Mother choreographer’s cut

Political Mother choreographer’s cut Political Mother choreographer’s cut

 Political Mother choreographer’s cut

Political Mother: The Choreographers Cut 

I love this dance. I drew during early rehearsals in Brighton, I watched a performance in Brighton then at Sadler’s Wells a year ago. Each time I’ve been bowled over by the movement, the powerful music and my emotions which rose up within me and clasped me by the throat. The cast of dancers has grown from to 12 to 16, the incredible band of snare drums, electric guitars and percussion has expanded to include a string section, now numbers 24.

These small drawings will be used along with the others I’ve made as research for a large oil painting, maybe some etchings too.

Fusional Fragments at the Clore Studio

Tuesday, July 19th, 2011

Last week I was invited by choreographer Marc Brew to draw at rehearsals for Fusional Fragments at Greenwich Dance.

Fusional Fragments is a new work by Marc Brew in partnership with Dance East, a collaboration with percussionist Dame Evelyn Glennie, composer Philip Sheppard and five extraordinary dancers.

ballet class

 ballet class. 2

ballet class.3

Morning ballet class

The day begins with a Ballet class. Sometimes choreographers ask me to take part in the early morning class so that I become a part of the company and am not seen by the dancers as an observer, as Luca Silvestrini did during the rehearsals of Crossroads. I like this not only do I enjoy the  class but it effects the drawings that follow. I was glad Marc didn’t suggest I join this class, it was way beyond my capabilities! The drawings are in charcoal and conte on long sheets of brown packaging paper. 

rehearsal 1. Fusional Fragments  Fusional Fragments 2Fusional Fragments.3  Fusional Fragments.4Rehearsal, Fusional Fragments.

Drawn in charcoal on large sheets of fabriano.

The performance of Fusional Fragments was at the Clore Studio at The Royal Opera House on 14th and 15th July as part of Exposure: Dance Snapshots of New Work. If you saw the performance weren’t you knocked out by it? The dance vocabulary beautifully combines Marc’s background as a classical ballet dancer with his more recent work in contemporary dance, investigating the links and differences in the two styles.

Greenwich & Docklands International Festival

Monday, July 11th, 2011

I was so fortunate that I was given the opportunity to draw during rehearsals for Marc Brew Company‘s Nocturne and Luca Silvestrini‘s Crossroads. I missed the performances along with other Greenwich and Docklands International Festival performances of the first weekend of the festival, having been partying in Suffolk.

However the following weekend there were some real gems performed across the river at Canary Wharf.

Underneath a transparent stage, I sat on a reclining seat and watched Spanish company Producciones Imperdibles perform La Mirada Transparente above me. Interesting drawing at that angle, I focussed on feet, the man opposite focussed on knickers. (True).

La Mirada Transparente

La Mirada Transparente

Deaf Men Dancing in a collaboration with my friend, visual artist Rachel Gadsden together created a spectacular performance and celebration of being alive. The show incorporates sign language, sound and live painting. Also see my drawings of Deaf Men Dancing performing Elvis at Candoco’s Birthday Party.

Deaf Men Dancing. Alive

Deaf Men Dancing with Rachel Gadsden. Alive 

The biggest crowd puller was Waiting Game, presented by Motionhouse Dance Theatre: a couple out for a romantic dinner in Canary Wharf only to be repeatedly scooped up by a JCB digger. A very large man and his very large friend were blocking my view, by the time they’d done as I suggested and sat on the ground (to a cheer from the audience members behind them) I’d lost the desire to draw.

Dancing to Romanian brass band music and the backdrop of our River Thames, Compagnie Pied en Sol performed Pied Filigrane Fanfare in the Canary Wharf uniform of grey buttoned up suits but with the striking addition of red shoes.

Pied en Sol. Filigrane Fanfare

Pied en Sol. Filigrane Fanfare

Compagnie Pied en Sol. Pied Filigrane Fanfare

Still time to catch Deaf Men Dancing and Rachel Gadsden if you live near BristolStockton or in the Lake District.