Archive for the ‘Rehearsal’ Category

Candoco Rehearsal with Claire Cunningham

Saturday, February 25th, 2012

Candoco Dance Company has been commissioned for Unlimited, a project celebrating disability, arts, culture and sport as part of the London 2012 Cultural Olympiad. Choreographer Claire Cunningham is working with Candoco making a new work for the company of 12 disabled and non-disabled dancers, including dancers invited from Rio de Janeiro and Beijing.

I was invited to join the company to draw the dancers in rehearsal

Candoco rehearsal

The day began with a morning class

Candoco rehearsal

Candoco rehearsal

Claire immediately creates a sharing and sensitive atmosphere by asking everyone in the studio to speak in turn for 1 minute about anything they want, the only limitation is that the words spoken most go no further than that room. Many of the 1 minutes are filled with very personal heart felt words, I find I talk very fast tripping over my words, so much I want to say – how many words can be spoken in 1 minute? At the close I feel light headed was it because I haven’t taken a breath or because I released the words instead of boxing them up inside my head?

CAndoco Rehearsal

The dancers were each given a crutch to work with in the rehearsal 

The first performance will be at Trinity Laban on 29th February

The Death of Klinghoffer at The London Coliseum

Monday, February 20th, 2012

February 10th

Choreographer Arthur Pita is rehearsing The Death of Klinghoffer with the English National Opera opening at the London Coliseum 25th February. I joined them for a day to draw during the rehearsal.

The Death of Klinghoffer is American composer John Adams controversial ‘docu-opera’ about the killing of a Jewish American tourist during the hijacking of a Mediterranean cruise liner by Palestinian militants.

The Death of Klinghoffer. copyright Sally McKay

Conductor Baldur Bronnimann 

The Death of Klinghoffer. copyright Sally McKay The Death of Klinghoffer. copyright Sally McKay

A cast of 12 dancers, including Bettina Carpi and Joe Walkling who danced in Arthur Pita‘s wonderful production Metamorphosis, which I was privileged to draw in 2011

The Death of Klinghoffer. copyright Sally McKay

The Death of Klinghoffer. copyright Sally McKay

Libretto written by Alice Goodman. Directed by Tom Morris (War Horse co-director).

These drawings are work in progress, the starting point of a painting in oils and acrylic which I will show at my forthcoming exhibitions in 2012.

Open Studio May 2012: Thursday May 17th 5pm – 9pm. Saturday 19th May 11am – 6pm. Sunday 20th May 11am – 6pm. Studio 17, Unit 0, Second Floor Studios, Mellish Industrial Estate, Warspite Road, London SE18 5NR

Solo exhibition: A Trace of Movement. Paul McPherson Gallery 14th – 26th May, 77 Lassell Street, Greenwich, London SE10 9PJ

Solo exhibition: Dancing as Music Made Visible part of ‘On Sublimity and Synaesthesia‘ exhibiting in conjunction with freelance writer Dr Stephen Baycroft. No Format Gallery, Second Floor Studios, Mellish Industrial Estate, Warspite Road, London SE18 5NR. 13th September – 23rd September

More details on the exhibitions will follow

Contact sallymckay@btinternet.co.uk for more information on exhibitions and sales

Yorke Dance Project in LA

Tuesday, February 14th, 2012

12th November

Way back when it was still 2011 and we were wearing tee-shirts not polo-necks and wooly hats, I spent a wonderful day drawing dance company Yorke Dance Project with choreographer Yolande Yorke-Edgell, rehearsing City Limitless in preparation for their trip to Los Angeles. They rehearsed at Siobhan Davies Dance Studios.

yorke dance project copyright Sally McKay Yorke Dance Project in LA

Yorke dance project

Yorke dance project. 5   Just a small selection of the many drawings I made of the dancers during the rehearsal

Yorke dance project  Read a preview of the show in the LA Times

See these and more of Yorke Dance Project at my Open Studio May 17th, 19th and 20th. Details of solo exhibition in September will follow soon.

Interested in purchasing or commissioning work? Contact sallymckay@btinternet.com

Russell Maliphant rehearse at Lilian Baylis

Wednesday, January 25th, 2012

17th – 20th January

The last few days with Russell Maliphant Company rehearsing The Rodin Project before they leave for Paris to perform at Theatre National de Chaillot 31st January – 10 February, rehearsing at the Lilian Baylis Theatre, next door to Sadler’s Wells where the company will perform on 5th February.

Each day begins with a warm up led by Russell. I find it fascinating, he directs the dancers while discussing anatomy with them, which muscles are flexing, which bones are moving what the dancers feel in their core as they get deeper into the movement. Gentle flowing movement growing to a massive crescendo in dynamics, pace and energy.

Russell Maliphant. The Rodin Project. 15

Russell Maliphant Company. The Rodin Project. 18Tommy Franzen, Jenny White, Dickson Mbi, Ella Mesma, Carys Staton and Thom Gulgec warm up before the rehearsal

To describe Michael Hulls as the lighting designer of The Rodin Project feels like it falls short in the description of what he creates on the stage. The dancers bodies shimmer where the molten gold light falls on them, deep shadows are cast by their moving limbs, it all feels very sensual.

Russell Maliphant Company, The Rodin Project. 25 Russell Maliphant Company, The Rodin Project. 35Carys, Ella and Jenny

Russell Maliphant Company, The Rodin Project. 23 Russell Maliphant Company. The Rodin ProjectDickson 

Immersed in darkness, I rapidly work soft pastels on black paper that I can’t see, hoping that I will somehow convey the burning glimmers and flashes of life in front of me.

It is clear being in the same room as Russell Maliphant and Michael Hulls that they have a deep respect for each other’s work and trust each other with an intensity that can only come from sharing a long and creative history. Both remain calm and generous throughout the week.

Russell Maliphant Company, The Rodin Project. 31Thom and Tommy

The dancers too, are calm in the breaks, but when dancing, the energy is so high it feels as if the roof might lift.

Russell Maliphant Company, The Rodin Project. 16

These are just a few of the many drawings I made of Russell Maliphant Company rehearsing The Rodin Project. Such a stunning work on so many levels. Thank you to Russell, Dana, Michael, Tommy, Jenny, Dickson, Ella, Carys and Thom for welcoming me in to your rehearsal space.

In September I am having a London solo exhibition where I will show paintings inspired by The Rodin Project and other dance works, more details will follow shortly.

To see past blog posts of Russell Maliphant rehearsing The Rodin Project see

https://blog.sallymckay.co.uk/2012/01/13/russell-maliphant-company-the-rodin-project/

https://blog.sallymckay.co.uk/2011/11/14/russell-maliphant-company-rehearsals/

and Russell Maliphant’s After Light danced by Daniel Proietto. (More drawings of After Light Part 1 coming soon)

https://blog.sallymckay.co.uk/2011/04/16/russell-maliphant-company-perform-afterlight/

 

Russell Maliphant Company. The Rodin Project

Friday, January 13th, 2012

I’m with the Russell Maliphant Company, drawing during rehearsals for The Rodin Project at his studio in north London. When I was last here there were 4 dancers, now all 6 are here (see November 14th).

Standing together, eyes closed, breathing deeply in yogic unison, I am aware of the energy gathering, the dancers softly move to the floor in high arched bridges that seem impossible.

Russell Maliphant Company. The Rodin Project  The pace is quickening and their muscular bodies begin to fly through the air as if they have internal springs that are suddenly and without warning uncoiling at tremendous speed.

The Rodin Project. copyright Sally McKay

The Rodin Project. copyright Sally McKay The Rodin Project. copyright Sally McKayResting dancer.copyright Sally McKay  For the next 2 days I draw movement inspired by breakdance, contemporary dance and popping, and it is just stunning. These are a few of my drawings.

Russell Maliphant Company. The Rodin Project

Wonderful to be drawing the Russell Maliphant Company again. I am loving seeing sculpture that has inspired me over the years come to life in the body of dancer, Dickson. To have the opportunity to capture the choreographed movement in my drawings which in turn will form the resource for my painting, etching and who knows? possibly sculpture too.

Russell Maliphant Company perform The Rodin Project at Sadler’s Wells 5th February as part of British Dance Edition London 2012, and return to Sadler’s Wells with The Rodin Project in October.

The Featherstonehaughs at The Riverside

Friday, November 18th, 2011

Your last opportunity to see The Featherstonehaughs live, they will perform The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele on Wednesday 23 November and Thursday 24th November at The Riverside Studios. On Friday 25th and Saturday 26th  The Featherstonehaughs will dance Edits at The Riverside for the last time. Ever.

copyright sallymckay.co.uk. Edits

Edits

The Featherstonehaughs rehearse Edits

sallymckay@btinternet.com

 

Russell Maliphant Company. Rehearsals

Monday, November 14th, 2011

Last week, I had a wonderful 2 days drawing the Russell Maliphant Company while they rehearsed in North West London. Here are a few of the drawings.

Russell Maliphant Company. Rehearsals

Russell Maliphant Company. RehearsalsMorning class led by Russell 

Russell Maliphant Company. Rehearsals Russell Maliphant Company. RehearsalsRehearsal 

Access to Dance

Saturday, October 15th, 2011

Earlier in the year I spent some time in Lewisham College Dance Department with 3rd year Access to Dance students drawing them dancing during rehearsals for their final performances. From the drawings I painted on canvas using acrylic and oil.

Lewisham College. Access to Dance

Hope Whispers Softly. Oil and acrylic on canvas. 2011 

Hofesh Shechter Company rehearsals

Saturday, October 8th, 2011

I spent 2 productive days in a rehearsal studio in Shoreditch with the Hofesh Shechter Company while they worked on Political Mother: The Choreographer’s Cut for their up coming performances at the Melbourne Festival in Australia.

Political Mother: The Choreographer’s Cut. drawn Sally McKay Political Mother: The Choreographer’s Cut. drawn Sally McKay 

Political Mother: The Choreographer’s Cut. drawn Sally McKay Out of the many drawings, I have selected 3 speedy charcoal drawings on prepared Fabriano paper, drawn during a run on the last afternoon.

Hofesh Shechter Company. Political Mother The Choreographer’s cut  Cut. Sally McKay

I filled 3 sketch books  

This is work in progress towards a painting in oil and acrylics based on this dance, which I hope to complete in time for my Open Studio where my work can be purchased, on November 17th 5.00-9.00 pm, 19th and 20th 11.00-6.00 pm. 

Square Dances. Rehearsals at The Place

Friday, October 7th, 2011

6th October

At The Place to draw the dance students while they work on their 2 1/2 minute solos with Rosemary Lee to be performed in Queen Square for Square Dances. The dance starts and ends to a ring of a bell.

 Square Dances. Rosemary Lee. Drawings: Sally McKay

Square Dances. Rosemary Lee. Drawings: Sally McKay

Drawn with a brush and ink on handmade paper

There is a wonderful energy in the room. Each solo feels different, some feel safe and comfortable, with gentle dynamics, others are slightly wild as if there is an external force in control of the movements.  All feel intimate and personal.