1st February
Without Warning is a work bringing together light, sound and movement, it is based upon responses of choreographer Lizzie Kew Ross to Brian Keenan‘s autobiographical book An Evil Cradling, about his 4 years in captivity as a hostage in Beirut in the late 1980’s. Performed by four dancers and four musicians in the wonderfully atmospheric Old Vic Tunnels under Waterloo Station.
A cellist and double bassist play haunting chords. A promenade performance, the audience walk through the tunnels following the movement of the dancers. The rumble of the trains above adds to the uneasy atmosphere.

A shadowy person runs through the spectators’ group, very fast. Two figures cling to each other, then as if claw at each other in the dim light.

The power of the human touch: tender and harsh, fragile and strong, agonising and healing.

Against all the odds the human spirit is shown to somehow survive, but it is clear that not all will come through.

I drew at the dress rehearsal, I thought it was so good I took my 3 kids a couple of nights later and drew again.
Performers: David Leahy, Natasha Lohan, Laura Moody, Sonia Rafferty, Megan Saunders, Lauren Potter, Simon Wehrli and Dario Dugandzic. Lighting Design: Faye Patterson. Dramaturg: Mary Ann Hushlak
Also see Darkroom, portrait photographer Peter Anderson‘s exploration of containment and confinement with his silver gelatin, hand printed photographs of the rehearsals inside a replica of his darkroom.



Tommy Franzen, Jenny White, Dickson Mbi, Ella Mesma, Carys Staton and Thom Gulgec warm up before the rehearsal
Carys, Ella and Jenny
Dickson
Thom and Tommy
The pace is quickening and their muscular bodies begin to fly through the air as if they have internal springs that are suddenly and without warning uncoiling at tremendous speed.

For the next 2 days I draw movement inspired by breakdance, contemporary dance and popping, and it is just stunning. These are a few of my drawings.

The pianist

Lea Anderson, Teresa Barker and Gaynor Coward
The Royal Iris on Sunday evening, see my shadow (left) captured in the fog. This boat is moored next to the entrance to our studios on the River Thames
My studio during the show. Top painting: Uprising/In Your Rooms, below: La La La Human Steps 
Between One Breath and The Next
Sketch books


Morning class led by Russell
Rehearsal 