Archive for October, 2011

November Open Studio

Sunday, October 30th, 2011

Open Studio

Studio 17, Unit 0, Second Floor Studios

Thursday 17 November 5 -9pm

Saturday 19 & Sunday 20 November 11am – 6pm

Painting, Drawing, Etching, Sculpture

All work for sale, new commissions taken 

No More Yesterdays

No More Yesterdays. Etching. 2011 

Over 100 open studios of artists, photographers, craft and design makers

Location: Second Floor Studios, Mellish Industrial Estate, Warspite Road, Woolwich, London SE18 5NR

car: A206 dual carriageway near Woolwich. Access from A2/M2, M20 & M25

train: Charlton and Woolwich Dockyard Stations. DLR Woolwich Arsenal

Bus: 180, 177, 161, and 472

Access to Dance

Saturday, October 15th, 2011

Earlier in the year I spent some time in Lewisham College Dance Department with 3rd year Access to Dance students drawing them dancing during rehearsals for their final performances. From the drawings I painted on canvas using acrylic and oil.

Lewisham College. Access to Dance

Hope Whispers Softly. Oil and acrylic on canvas. 2011 

Square Dances. The Performance

Wednesday, October 12th, 2011

9th October

Square Dances: 4 London Squares, over 200 dancers, bells, and a mobile audience.

Square Dances. Performance, Men.The Men in Brunswick Square

50 men in tones of blues and browns, slowly walk towards a large chestnut tree. A huge church bell is struck, very slowly the men move, raising their heads and arms like plants searching out the sun, the bell chimes again, and as if the earth is magnetically pulling them they are being drawn down to the ground. The vibrations of the bell hum through the air and ground. There is a reverence, the audience circling the tree are silent and still, we are as if one with the men, all caught between the vibrations of the bell, the silence of the square and the pull of the earth.

Square Dances. Performance, students.The Dance Students in Queen Square

The dancers each carrying a desk bell, stand close to the benches where the audience sit surrounding the small square. Before commencing they quietly ask if there is a person we would like to dedicate the dance to, the name is written on the dancers arm, by the second day their arms are covered in names. They ring the bells and each dances a unique solo moving from ground to air, returning to the ground to ring the bell at the close of the dance. They move towards other benches to dance, again dedicated to another, again making a gift of their dance. The square is full of echoes and memories.

Square Dances. Performance, Women.The Women in Gordon Square

Gordon Square is the biggest square, with the largest group of performers. The women arrive dressed in shades of blue all with hand bells, as they move across the square they stop and listen, their heads on one side or their faces turned to sky. Stamping feet in an unsettled animal way, raising arms, turning, as if movement made by one group is felt through the earth by others across the square, stimulating movement.

Square Dances. Performance, WomenThe Children in Woburn Square

This was the last dance I watched, the children held small hand bells, which they rung as they scampered, they moved faster than the grown ups, it was great to end with such liveliness. As they left the square we could hear them ringing the bells and laughing as went down the street. As I looked around the audience, some having watched all 4 performances some having just chanced across this one, everyone was smiling.

Hofesh Shechter Company rehearsals

Saturday, October 8th, 2011

I spent 2 productive days in a rehearsal studio in Shoreditch with the Hofesh Shechter Company while they worked on Political Mother: The Choreographer’s Cut for their up coming performances at the Melbourne Festival in Australia.

Political Mother: The Choreographer’s Cut. drawn Sally McKay Political Mother: The Choreographer’s Cut. drawn Sally McKay 

Political Mother: The Choreographer’s Cut. drawn Sally McKay Out of the many drawings, I have selected 3 speedy charcoal drawings on prepared Fabriano paper, drawn during a run on the last afternoon.

Hofesh Shechter Company. Political Mother The Choreographer’s cut  Cut. Sally McKay

I filled 3 sketch books  

This is work in progress towards a painting in oil and acrylics based on this dance, which I hope to complete in time for my Open Studio where my work can be purchased, on November 17th 5.00-9.00 pm, 19th and 20th 11.00-6.00 pm. 

Square Dances. Rehearsals at The Place

Friday, October 7th, 2011

6th October

At The Place to draw the dance students while they work on their 2 1/2 minute solos with Rosemary Lee to be performed in Queen Square for Square Dances. The dance starts and ends to a ring of a bell.

 Square Dances. Rosemary Lee. Drawings: Sally McKay

Square Dances. Rosemary Lee. Drawings: Sally McKay

Drawn with a brush and ink on handmade paper

There is a wonderful energy in the room. Each solo feels different, some feel safe and comfortable, with gentle dynamics, others are slightly wild as if there is an external force in control of the movements.  All feel intimate and personal.

La La La Human Steps. New Work

Thursday, October 6th, 2011

La La La Human Steps are a Montreal based contemporary dance company founded in 1980 by Edourd LockNew Work performed at Sadler’s Wells 28/9 – 1/11 brings together 2 tragic love affairs from operas: Purcell’s Dido and Aeneas and Gluck’s Orpheus and Euridice, but the score is changed dramatically by composer Gavin Bryars for piano, viola, cello and saxophone it is played live on stage adding to the passion and energy in the intense choreography.

 La La La Human Steps. New Work. Sally McKay

La La La Human Steps. New Work

My drawings of La La La Human Steps performing “New Work” at Sadler’s Wells

The classically trained dancers move en pointe with incredible, take-your-breath-away speed and precision. The choreography catapults through anger, frustration, tenderness and passion. Two pools of bright light on the floor create restricted space to move in and sharpen the angular body frames of the female dancers dressed in black leotards and footless tights, throwing dramatic shadows of the male dancers in suits and heightening the atmosphere, contributing to the black and white filmic quality.

Above: Two of pages from my sketch book of drawings of La La La Human Steps, drawn during the performance. Print Studio at Second Floor Studios, Woolwich, London SE18 5NR, opens in November. Expect to see La La La Human Steps etchings soon after.

Square Dances. Rosemary Lee

Saturday, October 1st, 2011

I am at The Place, drawing choreographer Rosemary Lee and The Place students devising and rehearsing solos for Square Dances.Rosemary Lee. rehearsal. Square Dances

Rosemary Lee: “…make a gift of your dancing; a small but rich and delicate gift”

Square dance 5square dance 6

Square Dances Rosemary Lee  Rosemary Lee is rehearsing 4 groups of professional and non-professional dancers for her new large scale site specific community dance: The Place dance students, 50 men, 100 women and also children, each group will dance in central London squares: Gordon, Woburn, Queen and Brunswick Squares,  repeating the dance 12 times over the weekend. Part of Dance Umbrella, the performance will take place 8 and 9 October.

Two years ago I drew during the rehearsals of Rosemary Lee’s Common Dance, the captivating community dance for over 50 dancers of all ages performed at Greenwich Dance. I feel so fortunate to be invited by Rosemary and welcomed by the dancers to draw the rehearsal process of Square Dances.