Open Studio Studio 17, Unit 0
Saturday 16th, Sunday 17th November
11.00 ~ 18.00
Second Floor Studios & Arts, Harrington Way, London SE18 5NR
Over 200 open studios, cafe overlooking the river, parking on site
Open Studio Studio 17, Unit 0
Saturday 16th, Sunday 17th November
11.00 ~ 18.00
Second Floor Studios & Arts, Harrington Way, London SE18 5NR
Over 200 open studios, cafe overlooking the river, parking on site
Beyond Front@: Bridging New Territories
As Resident Artist at Greenwich Dance (GDA) I drew the dancers of Beyond Front@ from Slovenia, Austria, Croatia, Hungary and the UK during a four day Dance Communication Lab at Greenwich Dance in 2012. Over the last year they have continued to meet in the host countries and created a dance, In Reference To The Robbers Cave, with choreographer Rob Clarke.
Performance: In Reference To The Robbers Cave. 27th September 2013
My drawings of the process and an oil painting are on display at Greenwich Dance for the next few weeks. All work is for sale.
For sales contact sallymckay@btinternet.com
Greenwich Dance, The Borough Halls, Royal Hill, London SE10 9HB
September 7 2013
If you missed my live drawings in the multi-media performance installation Formed View on August 16, which you could have watched in the Arbeit gallery or via the live streaming, it is now available to watch on the Hackney Live web site.
See the drawings emerge as I draw, watch Lyle Wheeler while he dances and James Haswell-D’Arcy as he directs him.
25th August
Timepiece is a giant faceless clock created by artist Conrad Shawcross. Three rotating arms with lit up bulbs on the ends mark the hours, minutes and seconds, they move through the space at different speeds like inquisitive lit up probes, sending beams of light out across the dark room and the 24 pillars which surround the light sculpture, they cast moving shadows all going in different directions. The Conrad Shawcross installation, Timepiece, has been suspended in London’s Roundhouse for 3 weeks. During the installation, company Wayne McGregor I Random Dance, Siobhan Davies Dance and dance artist Iona Kewney performed in the space beneath the clock. I caught the last performance of Random Dance dancing Azimuth.
Below: these are some of the drawings I made during the performance
We sit on the floor in a big circle around the 24 pillars, the dancers enter the circle at different points from the darkness behind us. The audience are transfixed, the dancers move with such extraordinary speed, skill and agility, they run the circumference of our circle – time racing forwards at dizzying speed; sometimes their actions reflect the rotations of the Timepiece above, reminding us to be aware of the clock. Sometimes a solo, or a duet or everyone in movement. My drawings look crowded with bodies, I was loving the activity and speed of the dancers, so drawing an individual several times as he or she moved across the space.
Kings Place is the next venue to catch these fantastic dancers when they present Random Works 20 September, 21 September, then the company will be at Sadler’s Wells performing Atomos from 9 October and don’t miss Thinking with the Body an exhibition at The Wellcome Collection.
August 20 2013
On Friday evening I was privileged to be part of dance artist Christopher Matthews multi-media performance installation, Formed View, at the Arbeit Gallery in Hackney Wick. Formed View was part of Hackney WickED Festival. While dancer Lyle Wheeler created dynamic flowing improvisation and James Haswell-D’Arcy gave him spoken feed back and direction, I made drawings of Lyle as he moved and of James as he responded to Lyle. The dance performance along with the verbal, written and drawn response was streamed live on the Hackney Live website as well as to an audience within the gallery, who watched via the TVs.
A few of the many sketches made during the evening:
August 15th 2013
Tomorrow evening I will be drawing at Arbeit Gallery, Hackney. I am part of dance artist Christopher Matthews multi-media performance installation Formed View. Formed View investigates politics of perception of the moving figure through improvisation. I will draw dancers Lyle Weaver and James Haswell D’Arcy while they dance. With us also responding to the improvised movement will be writers Alexandrina Hemsley, Jamila Johnson-Small and Charlotte Ashwell of BELLYFLOP Magazine. Our responses of words and mark making will be filmed and fed to television screens to spectators within the gallery who will be in a different space.
Christopher asks “What is the role of the dancer as he/she is being watched?”, “What is the role that the physical appearance of the dancer plays in the situation?”, “What role does the mode of presentation play in the perception of the moving figure?”, “How does improvisation affect or not the relation between the performer and the spectator?”
Formed View will be streamed live on the Hackney Live website. To be part of the streamed event follow on Twitter -@hackneylive and like Hackney Live on Facebook -fb/hackneylive. The drawings will be posted on this blog over the weekend.
Formed View is part of Hackney WickED Festival
Friday 6-9pm. August 16th 2013
Arbeit Gallery, Unit 4, White Post Lane, Queens Yard, Hackney Wick, London E9 5EN
June 20th 2013
This weekend 21st – 23rd June, the Landmark Arts Centre is running a Midsummer Art Fair. Based in Teddington, the Landmark Arts Centre is housed in a 19th century former church complete with beautiful stained glass windows. My stand is 38, I am on a raised area at the front of the building.
I am selling 4 new etchings never seen before, so new that I haven’t yet photographed them, as well as the 3 sugar lift and aquatint etchings, part of the series with SUB, and also other etchings some framed, some in my browser, drawings and and smaller paintings.
Breathing Space
The Call of The Tide
I am also showing (and hopefully selling) Marilyn, the wire sculpture I created to go on stage with Yolande York-Edgell while she performed the dance about Marilyn Monroe last year. Marilyn would be equally happy in a house, office entrance hall or garden she is made of galvanised wire and sprayed with lacquer.
Marilyn was created in 2012 when I was Artist in Residence with Yorke Dance Project, to be on stage with dancer Yolande Yorke Edgell in a moving dance about Marilyn Monroe.
8th June 2013
Today Greenwich Dance (GDA) opened the doors to the local community for a day of free dance classes Open Doors, Open Dancing, as Greenwich Dance Resident Artist I organized easy going art workshops throughout the day. All ages participated, youngsters drawing the dancers on long sheets on the floor while the class was in progress, older children and adults preferring to use individual sheets of paper.
Drawing the dance class while the dancers danced
Some preferred to sit apart and try collage or drawing from memory
Ballet Class
African Dance Class
We made a Greenwich Dance Gallery
6th June 2013
Another Private View at the Royal Academy, this one is ‘Buyers Day’, I take my daughter hoping for a couple of red dots under my etching so she can feel proud and I can feel pleased, but what a treat – a whole row of red dots waiting for us. I have sold the whole edition!
This week I’ve been etching in the print studio, printing new work based on recent drawings of dance.
As well as printing I have been drawing Arthur Pita‘s 100 Hours Dance Marathon at Greenwich Dance in my role as Resident Artist at Greenwich Dance. Now day 4, the 8
dancers look surprisingly bright and lively on so little sleep. Now 22.49 p.m., my kids have turned in and I am about to go back to draw till 1.00am. I’ve filled several sketch books, this evening I will draw on bigger sheets.
Today was the first day of the celebrations for the opening week of the Summer Exhibition at the Royal Academy of Arts. Called Varnishing Day, it’s the day the Artists are invited to the Academy for a Private View of the selected work.
Welcomed to the exhibition with a glass of champagne and a meringue, there was a very happy party atmosphere, particularly in the 2 rooms showing the prints, where many London printmakers know each other from printing at the same studios.
SUB (Rambert Dance Company), the Sugar Lift etching that was selected is catalogue no 347.