Archive for the ‘Dance’ Category

Russell Maliphant rehearse at Lilian Baylis

Wednesday, January 25th, 2012

17th – 20th January

The last few days with Russell Maliphant Company rehearsing The Rodin Project before they leave for Paris to perform at Theatre National de Chaillot 31st January – 10 February, rehearsing at the Lilian Baylis Theatre, next door to Sadler’s Wells where the company will perform on 5th February.

Each day begins with a warm up led by Russell. I find it fascinating, he directs the dancers while discussing anatomy with them, which muscles are flexing, which bones are moving what the dancers feel in their core as they get deeper into the movement. Gentle flowing movement growing to a massive crescendo in dynamics, pace and energy.

Russell Maliphant. The Rodin Project. 15

Russell Maliphant Company. The Rodin Project. 18Tommy Franzen, Jenny White, Dickson Mbi, Ella Mesma, Carys Staton and Thom Gulgec warm up before the rehearsal

To describe Michael Hulls as the lighting designer of The Rodin Project feels like it falls short in the description of what he creates on the stage. The dancers bodies shimmer where the molten gold light falls on them, deep shadows are cast by their moving limbs, it all feels very sensual.

Russell Maliphant Company, The Rodin Project. 25 Russell Maliphant Company, The Rodin Project. 35Carys, Ella and Jenny

Russell Maliphant Company, The Rodin Project. 23 Russell Maliphant Company. The Rodin ProjectDickson 

Immersed in darkness, I rapidly work soft pastels on black paper that I can’t see, hoping that I will somehow convey the burning glimmers and flashes of life in front of me.

It is clear being in the same room as Russell Maliphant and Michael Hulls that they have a deep respect for each other’s work and trust each other with an intensity that can only come from sharing a long and creative history. Both remain calm and generous throughout the week.

Russell Maliphant Company, The Rodin Project. 31Thom and Tommy

The dancers too, are calm in the breaks, but when dancing, the energy is so high it feels as if the roof might lift.

Russell Maliphant Company, The Rodin Project. 16

These are just a few of the many drawings I made of Russell Maliphant Company rehearsing The Rodin Project. Such a stunning work on so many levels. Thank you to Russell, Dana, Michael, Tommy, Jenny, Dickson, Ella, Carys and Thom for welcoming me in to your rehearsal space.

In September I am having a London solo exhibition where I will show paintings inspired by The Rodin Project and other dance works, more details will follow shortly.

To see past blog posts of Russell Maliphant rehearsing The Rodin Project see

https://blog.sallymckay.co.uk/2012/01/13/russell-maliphant-company-the-rodin-project/

https://blog.sallymckay.co.uk/2011/11/14/russell-maliphant-company-rehearsals/

and Russell Maliphant’s After Light danced by Daniel Proietto. (More drawings of After Light Part 1 coming soon)

https://blog.sallymckay.co.uk/2011/04/16/russell-maliphant-company-perform-afterlight/

 

Russell Maliphant Company. The Rodin Project

Friday, January 13th, 2012

I’m with the Russell Maliphant Company, drawing during rehearsals for The Rodin Project at his studio in north London. When I was last here there were 4 dancers, now all 6 are here (see November 14th).

Standing together, eyes closed, breathing deeply in yogic unison, I am aware of the energy gathering, the dancers softly move to the floor in high arched bridges that seem impossible.

Russell Maliphant Company. The Rodin Project  The pace is quickening and their muscular bodies begin to fly through the air as if they have internal springs that are suddenly and without warning uncoiling at tremendous speed.

The Rodin Project. copyright Sally McKay

The Rodin Project. copyright Sally McKay The Rodin Project. copyright Sally McKayResting dancer.copyright Sally McKay  For the next 2 days I draw movement inspired by breakdance, contemporary dance and popping, and it is just stunning. These are a few of my drawings.

Russell Maliphant Company. The Rodin Project

Wonderful to be drawing the Russell Maliphant Company again. I am loving seeing sculpture that has inspired me over the years come to life in the body of dancer, Dickson. To have the opportunity to capture the choreographed movement in my drawings which in turn will form the resource for my painting, etching and who knows? possibly sculpture too.

Russell Maliphant Company perform The Rodin Project at Sadler’s Wells 5th February as part of British Dance Edition London 2012, and return to Sadler’s Wells with The Rodin Project in October.

Goodbye Featherstonehaughs

Wednesday, November 30th, 2011

26 November

Saturday night at The Riverside Studios. I’m here to watch Edits, choreographed by Lea Anderson for her all-male company the Featherstonehaughs, which she co-founded in 1989, 5 years after co-founding the all-female Cholmondelys. It is the last time the Featherstonehaughs will perform and no one can quite grasp or believe it.

Featherstonehaughs, Edits. copyright Sally McKay 1

Featherstonehaughs, Edits. copyright Sally McKay3

The dance is fascinating and beautiful, I have drawn them rehearsing fragments of the dance but never watched a run. And the costumes… just gorgeous, designed by Oscar winning costume designer and long term collaborator of Lea, Sandy Powell.

Featherstonehaughs, Edits. copyright Sally McKay 2

The 6 Featherstonehaughs took their bows at the end of the show, as the audience clapped and cheered (and quite a few cried) 3 women walked on stage dressed in funerial black lace and began to dance a 1985 Cholmondely dance to Nina Simone’s My Baby Just Cares For Me, there were screams of joy, the co-founders and original dancers of The Cholmondeleys: Lea Anderson, Teresa Barker and Gaynor Coward were dancing together again.

The Cholmondeleys Lea Anderson, Teresa Barker and Gaynor Coward

Goodbye Featherstonehaughs

The Featherstonehaughs at The Riverside

Friday, November 18th, 2011

Your last opportunity to see The Featherstonehaughs live, they will perform The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele on Wednesday 23 November and Thursday 24th November at The Riverside Studios. On Friday 25th and Saturday 26th  The Featherstonehaughs will dance Edits at The Riverside for the last time. Ever.

copyright sallymckay.co.uk. Edits

Edits

The Featherstonehaughs rehearse Edits

sallymckay@btinternet.com

 

Russell Maliphant Company. Rehearsals

Monday, November 14th, 2011

Last week, I had a wonderful 2 days drawing the Russell Maliphant Company while they rehearsed in North West London. Here are a few of the drawings.

Russell Maliphant Company. Rehearsals

Russell Maliphant Company. RehearsalsMorning class led by Russell 

Russell Maliphant Company. Rehearsals Russell Maliphant Company. RehearsalsRehearsal 

November Open Studio

Sunday, October 30th, 2011

Open Studio

Studio 17, Unit 0, Second Floor Studios

Thursday 17 November 5 -9pm

Saturday 19 & Sunday 20 November 11am – 6pm

Painting, Drawing, Etching, Sculpture

All work for sale, new commissions taken 

No More Yesterdays

No More Yesterdays. Etching. 2011 

Over 100 open studios of artists, photographers, craft and design makers

Location: Second Floor Studios, Mellish Industrial Estate, Warspite Road, Woolwich, London SE18 5NR

car: A206 dual carriageway near Woolwich. Access from A2/M2, M20 & M25

train: Charlton and Woolwich Dockyard Stations. DLR Woolwich Arsenal

Bus: 180, 177, 161, and 472

Access to Dance

Saturday, October 15th, 2011

Earlier in the year I spent some time in Lewisham College Dance Department with 3rd year Access to Dance students drawing them dancing during rehearsals for their final performances. From the drawings I painted on canvas using acrylic and oil.

Lewisham College. Access to Dance

Hope Whispers Softly. Oil and acrylic on canvas. 2011 

Square Dances. The Performance

Wednesday, October 12th, 2011

9th October

Square Dances: 4 London Squares, over 200 dancers, bells, and a mobile audience.

Square Dances. Performance, Men.The Men in Brunswick Square

50 men in tones of blues and browns, slowly walk towards a large chestnut tree. A huge church bell is struck, very slowly the men move, raising their heads and arms like plants searching out the sun, the bell chimes again, and as if the earth is magnetically pulling them they are being drawn down to the ground. The vibrations of the bell hum through the air and ground. There is a reverence, the audience circling the tree are silent and still, we are as if one with the men, all caught between the vibrations of the bell, the silence of the square and the pull of the earth.

Square Dances. Performance, students.The Dance Students in Queen Square

The dancers each carrying a desk bell, stand close to the benches where the audience sit surrounding the small square. Before commencing they quietly ask if there is a person we would like to dedicate the dance to, the name is written on the dancers arm, by the second day their arms are covered in names. They ring the bells and each dances a unique solo moving from ground to air, returning to the ground to ring the bell at the close of the dance. They move towards other benches to dance, again dedicated to another, again making a gift of their dance. The square is full of echoes and memories.

Square Dances. Performance, Women.The Women in Gordon Square

Gordon Square is the biggest square, with the largest group of performers. The women arrive dressed in shades of blue all with hand bells, as they move across the square they stop and listen, their heads on one side or their faces turned to sky. Stamping feet in an unsettled animal way, raising arms, turning, as if movement made by one group is felt through the earth by others across the square, stimulating movement.

Square Dances. Performance, WomenThe Children in Woburn Square

This was the last dance I watched, the children held small hand bells, which they rung as they scampered, they moved faster than the grown ups, it was great to end with such liveliness. As they left the square we could hear them ringing the bells and laughing as went down the street. As I looked around the audience, some having watched all 4 performances some having just chanced across this one, everyone was smiling.

Hofesh Shechter Company rehearsals

Saturday, October 8th, 2011

I spent 2 productive days in a rehearsal studio in Shoreditch with the Hofesh Shechter Company while they worked on Political Mother: The Choreographer’s Cut for their up coming performances at the Melbourne Festival in Australia.

Political Mother: The Choreographer’s Cut. drawn Sally McKay Political Mother: The Choreographer’s Cut. drawn Sally McKay 

Political Mother: The Choreographer’s Cut. drawn Sally McKay Out of the many drawings, I have selected 3 speedy charcoal drawings on prepared Fabriano paper, drawn during a run on the last afternoon.

Hofesh Shechter Company. Political Mother The Choreographer’s cut  Cut. Sally McKay

I filled 3 sketch books  

This is work in progress towards a painting in oil and acrylics based on this dance, which I hope to complete in time for my Open Studio where my work can be purchased, on November 17th 5.00-9.00 pm, 19th and 20th 11.00-6.00 pm. 

Square Dances. Rehearsals at The Place

Friday, October 7th, 2011

6th October

At The Place to draw the dance students while they work on their 2 1/2 minute solos with Rosemary Lee to be performed in Queen Square for Square Dances. The dance starts and ends to a ring of a bell.

 Square Dances. Rosemary Lee. Drawings: Sally McKay

Square Dances. Rosemary Lee. Drawings: Sally McKay

Drawn with a brush and ink on handmade paper

There is a wonderful energy in the room. Each solo feels different, some feel safe and comfortable, with gentle dynamics, others are slightly wild as if there is an external force in control of the movements.  All feel intimate and personal.